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The UT Twin87 captures the essence of both the original classic and modern incarnations of the “87-style” microphone design.
The debate is finally over.
The UT Twin87 captures the essence of both the original classic and modern incarnations of the “87-style” microphone design. For the first time ever, United has created a microphone that duplicates both circuits, and can reconfigure itself on the fly for an exceptional reproduction of the sonic capabilities of both microphones. The UT Twin87 features our own large-core, custom-wound, US-made output transformer, our own custom made 24k gold sputtered dual diaphragm/dual backplate K87 style capsule, and a whole assortment of selected, premium components such as polystyrene, tantalum, multilayer ceramic, WIMA film capacitors, metal and carbon film resistors, and hand-selected transistors.
Vintage, or modern? The UT Twin87 finally ends the debate with a new answer — both.
Type | Condenser Microphone |
Capsule | UT Series, 34mm brass, insulated dual backplate K87 |
Diaphragm | Dual-diaphragm, 6 micron, 24k gold sputtered Mylar (PET film) |
Power Supply | +48v Phantom Power (via XLR) |
Ground | Pin 1 XLR (required) |
Frequency Response | 20 Hz - 20 kHz |
Polar Pattern | Cardioid, Figure 8, Omni |
SPL | 117 dB (127 dB w/ Pad) @ <.5% THD |
Output Impedance | 27 Ω |
Amplifier Type | Field Effect Transistor |
Self Noise | <10 dB (cardioid setting, no pad, no HPF) |
Output | Custom-wound UT Series transformer, made in USA |
Body | Nickel electroplated, solid milled brass |
High pass filter | 80hZ (12dB down point) |
Pad | -10dB |
Connector | 24k gold plated XLR, pin 2 HOT, pin 1 GND |
Mount | Suspension type shock mount (included) |
Dimensions | Height: 220mm / 8.6 in. Diameter: 55mm / 2.2 in. Shockmount Depth: 190mm / 7.5 in. |
Every musician and audio engineer has to start somewhere. We start with the entry-level gear we can afford, and work our way up to using the best of the best gear.
In today's age, we all have the luxury of simulating all of the best classic gear directly in a DAW — but is a simulation as good as the real thing? Sure, we think plenty of it is great, but it never settles our need for the original gear. With the rise of software-variants of classic gear, quite a few companies have taken to selling the "original" as a hardware recreation — but very sadly, many of us have seen we're not being sold the real thing by these companies. To top it all off, the best classic gear is getting older, less reliable, and more expensive — even finding truly great technicians to work on them has gotten to be very difficult.
We at United are working hard to make sure everyone can finally access gear built like the original classics, with zero compromise. We have put everything we have into our products — from conception, custom parts, New Old Stock parts, and in many cases final assembly and testing that is done by hand in Baton Rouge, Louisiana.
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