UT FET47Painstakingly recreated with the utmost attention to detail; our take on a very classic and much desired condenser microphone that has been used on countless hit records. Realism and thickness that is true to the vintage sonics — now at an affordable price.
It’s a labor of love. The UT FET47 represents several years of R&D, blood, sweat, and tears — all to capture the essence of one of the most beloved and classic solid state condenser microphones, and recreate it for the modern recordist.
The sonic qualities you’ve been chasing have arrived — at an accessible price, with uncompromised quality.
The UT FET47 features a custom Cinemag transformer, a custom Heiserman designed HZ-Series capsule, vintage polystyrene capacitors, and NOS (new old stock) FETs.
Custom parts. Vintage new-old-stock parts. Mix that together with each microphone being built in the USA by actual recording engineers, and you have the UT FET47.
| Type | Condenser Microphone |
| Capsule | HZ Series 34mm all-brass, dual-backplate K47 |
| Diaphragm | Dual-diaphragm, 6 micron, 24k gold sputtered Mylar (PET film) |
| Power Supply | +48v Phantom Power (via XLR) |
| Ground | Pin 1 XLR (required) |
| Frequency Response | 20 Hz - 20 kHz |
| Polar Pattern | Cardioid |
| SPL | 136 dB (145 dB w/ Pad) @ <.5% THD |
| Output Impedance | 150 Ω (in circuit) |
| Amplifier Type | Field Effect Transistor |
| Self Noise | <10 dB (no pad, no HPF) |
| Output | Cinemag USA transformer balanced, pin 2 hot |
| Body | Nickel electroplated, solid milled brass |
| High pass filter | 75 Hz (-12dB down point) |
| Pad | -10dB |
| Connector | 24k gold plated XLR |
| Mount | Self-contained stand swivel mount adapter |
| Dimensions | Height: 210mm / 8.2 in. Width: 69mm / 2.7 in. Diameter: 63mm / 2.4 in. |
Every musician and audio engineer has to start somewhere. We start with the entry-level gear we can afford, and work our way up to using the best of the best gear.
In today's age, we all have the luxury of simulating all of the best classic gear directly in a DAW — but is a simulation as good as the real thing? Sure, we think plenty of it is great, but it never settles our need for the original gear. With the rise of software-variants of classic gear, quite a few companies have taken to selling the "original" as a hardware recreation — but very sadly, many of us have seen we're not being sold the real thing by these companies. To top it all off, the best classic gear is getting older, less reliable, and more expensive — even finding truly great technicians to work on them has gotten to be very difficult.
We at United are working hard to make sure everyone can finally access gear built like the original classics, with zero compromise. We have put everything we have into our products — from conception, custom parts, New Old Stock parts, and in many cases final assembly and testing that is done by hand in Baton Rouge, Louisiana.
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