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Reason Studios
Note: ReCycle is not compatible with macOS versions after High Sierra (10.13.6)
ReCycle is a creative tool that helps you make the most of your grooves. In simple terms, ReCycle lets you do with sampled loops what you can do with beats programmed from individual drum sounds – like alter the tempo, or replace sounds and process them individually. A tool for quickly editing sampled parts, chopping up riffs, remixing and doing mash ups. This is a download only version. After purchase you will receive an email with link to download the software.
Imagine that you have a sample of a drum loop that you want to use in a track
you are working on. The loop is 108 bpm and your track is 90 bpm. What do you
do? You can of course pitch down the loop, but that will make the loop sound
very different, and what if there are harmonies in the loop that you want to
match to your song. You can also time stretch it. That will keep the pitch,
but will make the loop sound different and lose some punch.
Enter ReCycle and the smart way to make loops tempo independent. Instead of
stretching the sample, ReCycle REX files are sliced into little pieces so that
each drum hit (or whatever sound you are working with) gets its own slice.
When you then change the tempo of the loop, the time between the slices is
stretched, instead of the slices themselves.
When you load a sound into ReCycle, the program will “look” at the file,
analyze it, and break it up into its rhythmic components. The process itself
is fully automated, but the slices are yours to move, audition or delete,
using the program’s on-screen tools and controls. Other tools allow you to set
the length, attack and decay of the slices, and to change your groove’s
overall tempo or pitch, without one affecting the other. It’s not magic, but
it’s probably as close as you can get.
Slicing a loop also gives you individual control over both the sound of the
slices and the timing. You can rearrange the loop, change the feel of it,
replace parts of the loop with other samples, pitch it, and much more.ReCycle
turns concrete-rigid loops into musical modeling clay, allowing you, the
loopist, to do pretty much what you desire.
Use ReCycle as a problem solver for loops: Load a drum loop into ReCycle, set
a new tempo or pitch, and save the results as a new file. Or load up any
groove, and use ReCycle’s on-screen signal processors: Compressor, EQ and
Transient Designer, to give it some punch and distinction. Anything you choose
to do in ReCycle can be applied to your loop non-destructively, and saved as a
new file.
REX is the native file format of ReCycle. A REX file contains the original
audio of the loop, the slices you have applied in ReCycle, and any effects or
processing you have added in ReCycle. REX files are also compressed, using a
non-lossy compression technique to save some precious hard drive space.
You can also use your REX files in as audio by importing them directly onto
Audio Tracks in Reason’s sequencer. When you import a REX file as audio, it is
automatically stretched to fit the tempo of your Record songs.
REX files are supported by all major music software titles.
The Dr. Octo Rex Loop Player is a unique machine that has become one of the
cornerstones in Reason’s intuitive musical workflow. It plays loops treated by
Propellerhead Software’s ReCycle and its design enables some truly creative
ways to use ReCycled loops.
When you open a new ReCycled loop in Dr. Octo Rex you can load up the
corresponding MIDI data in a special REX editor in the sequencer where you can
move the slices around to create the beats you want. This way you can take a
drum loop and rearrange it any way you want.
Reason has always been a labor of love. When we created it over twenty years ago, the idea was to have the best and most exciting music gear right there in our computers.
That’s the path we’ve been on ever since. It’s what made Reason into this fun, experimental mix of instruments, effects, cables, and features that fill the Rack today.
Reason was never made for those looking for the industry standard—it’s made for the explorers, the pioneers, the outsiders whose brains are just wired differently. The music makers that always ask “what if?”
We could brag about all the Reason-loving producers and artists that have spawned new genres, made chart-topping hits, or won Grammys, but we’d rather just talk about how fun it is to make music in Reason—no matter who you are.
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