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Orange Terror Stamp Forsterker Pedal

Art.nr: OR-D-PD-TERROR-STAMP

2.700,-

Antall:

Orange

Ikkje på lager, ca. 4-7 dagers leveringstid, så lenge varen er på lager hos leverandør.

Orange Terror Stamp

Gitarrforsterker 20 Watt Klasse A/B i pedal-format med effektretur, hodetelefonutgang og omkopplingsbar Master-volum.

Terror-serien har bevist att stort sound kan komme fra små forsterkere. Her får man soundet av Micro Terror og Micro Dark pakket i en pedal-forsterker på 20 riktig høylytte watt og omkopplingsbar Master-volum.

Terror Stamp er en rør-hybrid (ECC83/Solid State Class A/B) og har effektretur, hodetelefonutgang med kabinett simulator og 8 ohm / 16 ohm høyttalerutgang.

Du kan bruke høyttaler-utgangen og hodetelefon-utgangen samtidig, for maksimal fleksibilitet.

TERROR TONES AT THE TIP OF YOUR TOE…

For years, our Terror series amps have proven that biggest sounds can come in the tiniest packages. Taking our pocket-sized powerhouse concept one step further, we’ve brought you the Terror Stamp. Packing all of the punch of the minuscule Micro Terror and Micro Dark amps into an even smaller pedal format, this Valve/Solid State hybrid amp brings 20 Watts of killer Orange tone right onto your pedalboard.

The Terror Stamp’s tiny footprint, 8/16 Ohm Speaker Output, fully-buffered FX Loop and CabSim headphone output integrate seamlessly with your other pedals, whether you’re rocking a loud stage, recording direct or practising into the early hours.

KEY FEATURES

ALL-ANALOGUE HYBRID DESIGN

Typically-Orange simplicity, unmistakably-Orange tone. The Terror Stamp’s hybrid Valve/Solid State design gives you the best of both worlds. From crystal-clean to thundering high-gain, the ECC83-based preamp has all the harmonics, dynamics and feel you’d expect, while the 20W Class AB Solid State power amp keeps things small, dependable and sounding great at any volume.

SWITCHABLE MASTER VOLUME

Footswitchable Master Volume controls give you the Terror Stamp’s full range of sounds at two different volumes. Jump right out of the mix for that all-important solo, without sacrificing your carefully crafted tone.

SHAPE CONTROL

Our exclusive Shape knob crams a whole load of character and control into a single dial. Turn anticlockwise for a mid-forward voicing or clockwise for a classic scoop.

BUFFERED EFFECTS LOOP

Just like our full-size amps, we’ve given you a fully-buffered, low-impedance FX Loop. Long cable runs? No Problem. True Bypass pedals? Great. The Terror Stamp fits right into your signal chain without ever compromising sound quality. Not only that, but connecting directly to the FX Return turns this little monster into a 20W power amp for whatever pedals, preamps or modellers you can throw at it – with a headphone output too!

CABSIM HEADPHONE OUTPUT

It wouldn’t be the perfect pedal amp without a headphone output. Our tried-and-tested, analogue CabSim circuit provides instant access to a very Orange-flavoured 4×12 speaker emulation. Just the thing for late-night practice with headphones, ‘silent’ recording or running direct to PA. The Headphone Output works simultaneously with the Speaker Output for maximum versatility.

https://orangeamps.com/terror-stamp/

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Orange

Cliff was also friendly with what was then a premier blues band called Fleetwood Mac. Mac became the first chart group to go Orange in late-1968 when they took with them to America the very first half dozen Orange 100-watters ever made. Sportingly, Cliff included the name Matamp below the psychedelic Orange logo engraved on amplifier front-plates.

But the Orange Matamp era would be relatively brief as stars as big and wide-ranging as Stevie Wonder, BB King, Jimmy Page, John Mayall, Ike and Tina Turner, and James Brown joined the client list and helped to establish the brand. Orders worldwide soon far outstripped the production capacity of the Huddersfield factory that Cliff had bankrolled for Matamp in early 1970.

When Orange introduced a 200-watt head in time for Fleetwood Mac’s spring 1969 tour with BB King, Peter Green remarked that the sound was too clean and so Cliff’s engineers voiced the amps deliberately to produce more distortion.

Then the 1972 introduction of the 120-watt and 80-watt Orange Graphic Amplifier OR series marked the start of an era in which Orange truly became The Voice of The World , with manufacturing now mostly in Bexleyheath. The Graphic’s front-plate used eye-catching graphic icons taken from a computer industry which was then in its infancy. The mid-1970s saw the launch of the first Orange amp with master volume overdrive the OD 120 model.

And Cliff by now was known in the business as Mr Orange or Monsieur Orange in France where Orange drum kits were made.