OMEC Teleport
Ett ljudinterface för live eller studiobruk i pedalform. Få med dig vilka pluggar du vill på ditt pedalbord
An audio interface for the studio and gig
The OMEC Teleport interface is a universal connection device (IOS, Android, Mac, PC) without any specific drivers or software requirements. It features high quality ADC/DAC converters – through a USB B connector – housed in a small effect pedal enclosure.
The Teleport allows you to convert both analog audio signals (an instrument for example) to digital to be processed with the many applications available. Additionally, the Teleport gives you the ability to convert digital audio signals to analogue (through mixers, D.I. boxes, amplifiers, etc.).
With this versatility the Teleport can be used for a wide range of applications:
Musicians that want to play, record, mix or process their sound, with the autonomy provided by mobile devices; Bluetooth connected musicians, like keyboard players or DJs employing the same devices for their sessions; even the amateur music lover who wants to convert music stored on their devices to analogue with renewed quality.
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 without any specific drivers or software requirements. It features high quality ADC/DAC converters – through a USB B connector – housed in a small effect pedal enclosure.
The Teleport allows you to convert both analog audio signals (an instrum... "Pin It")
Cliff was also friendly with what was then a premier blues band called Fleetwood Mac. Mac became the first chart group to go Orange in late-1968 when they took with them to America the very first half dozen Orange 100-watters ever made. Sportingly, Cliff included the name Matamp below the psychedelic Orange logo engraved on amplifier front-plates.
But the Orange Matamp era would be relatively brief as stars as big and wide-ranging as Stevie Wonder, BB King, Jimmy Page, John Mayall, Ike and Tina Turner, and James Brown joined the client list and helped to establish the brand. Orders worldwide soon far outstripped the production capacity of the Huddersfield factory that Cliff had bankrolled for Matamp in early 1970.
When Orange introduced a 200-watt head in time for Fleetwood Mac’s spring 1969 tour with BB King, Peter Green remarked that the sound was too clean and so Cliff’s engineers voiced the amps deliberately to produce more distortion.
Then the 1972 introduction of the 120-watt and 80-watt Orange Graphic Amplifier OR series marked the start of an era in which Orange truly became The Voice of The World , with manufacturing now mostly in Bexleyheath. The Graphic’s front-plate used eye-catching graphic icons taken from a computer industry which was then in its infancy. The mid-1970s saw the launch of the first Orange amp with master volume overdrive the OD 120 model.
And Cliff by now was known in the business as Mr Orange or Monsieur Orange in France where Orange drum kits were made.
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