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Orange Dual Terror DT30H Gitarforsterker Topp

Art.nr: OR-D-DT30H
10.590,-
Antall:
Ikkje på lager, ca. 4-7 dagers leveringstid, så lenge varen er på lager hos leverandør.
Dual Terror DT30H

Forsterkertopp m/rør, 2 kanaler, den ene hentet fra Tiny Terror, den andre med mer gain. Omkopplingsbar mellom 30, 15 og 7 watt.
 
The original lunchbox head made louder.
Featuring a 30 Watt output section the Dual Terror head is the most powerful in the Terror range, offering more clean headroom and volume than the Tiny Terror with the added flexibility of a second channel. The ‘Tiny Terror Channel’ is lifted straight from the original 15 Watt version, retaining the signature tones that made the Tiny Terror such a hit. However, with double the power on offer, it packs an even fiercer punch.

The additional ‘Fat’ channel provides extra girth with its more rounded, slightly gainier character, perfect for leads or for balancing between two different guitars on stage. The Dual Terror switches from 30 to 15 to 7 watts, making it a perfect portable amp head for both for studio and stage.

Information
Type
Rørtopp
Effekt/Rør
30/15W 4 x EL84
Kanaler
2
EQ
2 x 1-band (tone)
Reverb
Nei
Effektloop
Nei
Vekt
9,75kg
Mål
36 x 19 x 18cm

 


https://orangeamps.com/products/guitar-amp-heads/terror-series/

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Cliff was also friendly with what was then a premier blues band called Fleetwood Mac. Mac became the first chart group to go Orange in late-1968 when they took with them to America the very first half dozen Orange 100-watters ever made. Sportingly, Cliff included the name Matamp below the psychedelic Orange logo engraved on amplifier front-plates.

 

But the Orange Matamp era would be relatively brief as stars as big and wide-ranging as Stevie Wonder, BB King, Jimmy Page, John Mayall, Ike and Tina Turner, and James Brown joined the client list and helped to establish the brand. Orders worldwide soon far outstripped the production capacity of the Huddersfield factory that Cliff had bankrolled for Matamp in early 1970.

 

When Orange introduced a 200-watt head in time for Fleetwood Mac’s spring 1969 tour with BB King, Peter Green remarked that the sound was too clean and so Cliff’s engineers voiced the amps deliberately to produce more distortion.

 

Then the 1972 introduction of the 120-watt and 80-watt Orange Graphic Amplifier OR series marked the start of an era in which Orange truly became The Voice of The World , with manufacturing now mostly in Bexleyheath. The Graphic’s front-plate used eye-catching graphic icons taken from a computer industry which was then in its infancy. The mid-1970s saw the launch of the first Orange amp with master volume overdrive the OD 120 model.

 

And Cliff by now was known in the business as Mr Orange or Monsieur Orange in France where Orange drum kits were made.

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