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Novation Summit Hybrid 61-keys polysynth 16 voices

Art.nr: 548722

30.999,-

Antall:

Novation

Ikkje på lager, ca. 4-7 dagers leveringstid, så lenge varen er på lager hos leverandør.

Novation's flagship two-part 16-voice 61-key polyphonic synthesiser

Summit’s digital New Oxford Oscillators offer subtractive, FM and wavetable synthesis, and feed into genuine analogue dual filters, distortion and VCAs. The multitimbral engine enables merging and combining of two complete and independent patches, while up to 16 simultaneous voices deliver enough harmonic depth for even the richest of pads.

The best sounding synthesiser Novation has ever made

Summit doubles the power of Peak’s digital New Oxford Oscillators up to 16 voices and two parts, and adds a wealth of new features and a premium-quality five-octave keyboard. A synth much greater than the sum of its parts, it gives the serious producer or performer everything they need to design and play stunning basses, leads, arps, pads, effects and beyond.

Totally tactile sound design

Summit takes Peak’s architecture and workflow to new heights, with a swathe of extra front panel controls for hands-on wrangling of FM, effects, LFOs and more; dual filters with six LP/HP/BP combinations; audio input for processing external sources with the onboard effects; and auxiliary audio outputs.

Analogue where it matters

The true stereo analogue signal path comprises dual analogue multimode filters, analogue VCAs and three stages of analogue distortion – pre- and post-filter, and post-VCA. With roots in the legendary OSCar, via Bass Station II, Summit’s analogue credentials are truly impressive.

Two Peaks in one synth - and then some:

The 16-voice, multitimbral engine combines two simultaneous patches. Split or stack them for keyboard-divided or layered sounds, or switch the entire synth between two separate and independently controlled setups, perhaps using one as an effects processor for an external input source. Also, Summit can use all your Peak patches

Our best keyboard ever

Five-octave, semi-weighted, velocity-sensitive keyboard with aftertouch – the same premium-quality keybed as introduced with our SL MkIII controller keyboard.

New Oxford educated

Digital New Oxford Oscillators are capable of subtractive, FM and wavetable synthesis. Waveforms are generated directly on the FPGA (Field Programmable Gate Array) chip, using 24MHz bitstream processing; and adjustable drift and divergence emulate the inherent and often desirable instability of analogue circuits.

True analogue filters and distortion

The New Oxford Oscillators output to true analogue filters, with origins in the classic OSCar synth, and three stages of analogue distortion give you ample saturation options.

Dual filters

Summit’s dual filter is switchable between six paired combinations of low-pass, high-pass and band-pass modes at 12dB/octave, or any single mode at 24dB/octave, for a broad range of sonic possibilities.

Hands-on sound design

Packed with modulation sources for deep sound design – LFOs, envelopes, Animate buttons and more. Extended controls see FM parameters, envelope loop switches and LFOs 3/4 moved from Peak’s menu system to the front panel, for easy programming and tweaking.

Audio in and auxiliary audio out

Hook up external instruments for processing with Summit’s onboard effects, while using it as a synth at the same time.

Powerful effects

Onboard reverb, chorus and delay effects are hosted on the FPGA. They’re also controlled directly from the front panel, and available as modulation targets in the dedicated FX Mod Matrix.

Synth Engine

16 note polyphony (dependent on voices used per note)

2-part-timbral

Layered, Split, Dual Bi-Timbral Modes

5 Voice Modes - Mono, MonoLG, Mono2, Poly, Poly2

Per Voice

3 oscillators

1 noise generator with HP filter control

1 ring modulator

2 LFOs

1 amp envelope and 2 mod envelopes (ADHSR + looping)

1 filter

Waveforms Include

Sine, tri, sawtooth, square / pulse, plus 43 wavetables of 5 waveforms per row

Filter

1 state variable OTA filter per voice

12/24dB slope

Low-pass / band-pass / high-pass / dual filter (separation of each 12dB filters)

dual filter: LP > HP, LP > BP, HP > BP, LP + HP, LP + BP, HP + BP, LP + LP, BP + BP, and HP + HP

Pre-filter overdrive

Post-filter distortion

Modulation

16 modulation slots per patch

2 sources per destination per slot

Mod Sources

Direct (depth)

Modulation wheel

Aftertouch (polyphonic and channel AT)

Expression pedal 1

Expression pedal 2

Keyboard velocity

LFO1 positive

LFO1 bi-polar

LFO2 positive

LFO2 bi-polar

Amp envelope

Mod envelope 1

Mod envelope 2

Animate 1

Animate 2

CV mod input bi-polar

Bend Up

Bend Down

Mod Destinations

Oscillator 1-3 frequency, v-sync level, shape amount and level

Noise source level

Ring modulator output level

Overall synth output level

Filter drive, distortion, cut-off frequency and resonance

LFO 1 and 2 frequency

Amp env / mod env 1 / mod env 2 attack, decay and release

FM Osc 1 -> osc 2, osc 2 -> osc 3, osc 3 -> osc 1 and noise -> osc 1

Osc 3 -> filter cutoff frequency

Noise -> filter cutoff frequencyEffects

FX are per part

Analogue distortion

3 chorus types

Delay with 16 types of delay sync, LP and HP damping, slew and stereo

FX Mod Matrix Source

Direct (depth)

Mod wheel

Aftertouch

Expression pedal 1

Expression/breath pedal 2

Velocity

Keyboard

LFO 1 +/-

LFO 2 +/-

LFO 3 +/-

LFO 4 +/-

Amp envelope

Mod envelope 1 & 2

Animate 1 & 2

CV +/-

Bendwheel +/-

Bend up

Bend down

FX Mod Matrix Destinations

Distortion level

Chorus level

Chorus rate

Chorus depth

Chorus feedback

Delay level

Delay time

Delay feedback

Reverb level

Reverb time

Reverb low pass

Reverb high pass

Misc.

FM controls on front panel

Global LFO 3 & 4

Arpeggiator with key latch – 33 patterns

Patch storage - up to 512 on hardware (ships with 256 factory patches)

All knobs (excl. volume), sliders and most buttons transmit and receive MIDI cc commands for external control and mapping

Microtuning with Scala table import and table tuning creation

Manual mode

Multi pot mode: Relative, Pot pick-up, Snap

Product Hardware Specifications

50 control knobs

8 45mm sliders

1 volume knob

1 data encoder knob

Rubberised knob caps with spun metal discs

55 function buttons

2 Animate buttons plus hold button

OLED display

Kensington Lock

Power switch

IEC power supply connector

USB socket for system (MIDI comms only, no bus power)

MIDI In / Out / Thru

2 1/4" jack sockets for continuous or switched pedals

1 3.5mm jack socket for CV in

2 1/4" jack sockets for left and right outputs

2 1/4" jack sockets for left and right auxiliary outputs

2 1/4" jack sockets for left and right inputs

1/4" jack socket for headphone output

Metal chassis with American walnut wooden end cheeks

Metal magnetic inset end pieces

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Novation have always been on a mission to help artists sculpt and perform sound; to help electronic music makers lose themselves on an endless music-making journey.

Ever since the iconic Bass Station back in 1993, we’ve kept on playing our part, shaping the sound of electronic music. Maybe even music culture itself. From the ubiquitous Launchpad that has seen well over a billion YouTube views, to synthesizers behind the signature sounds of a constantly evolving musical landscape, we want to empower the creative minds that are shaping the music and art of tomorrow.