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Neumann KM 184 mt Stereo Sett Kondismikrofoner Svart Treboks

Art.nr: 008523

19.990,-

Antall:

Neumann

Ikkje på lager, ca. 4-7 dagers leveringstid, så lenge varen er på lager hos leverandør.

KM 184 mt Stereo Set

State-of-the-art small diaphragm condenser microphone

Cardioid pickup pattern without off-axis coloration
Very low self-noise
High SPL capability
Transformerless electronics

2 x KM 184 mt Microphone
2 x WNS 100 Windscreen
2 x SG 21 bk Stand Mount Swivel

Uncolored, Transparent, Versatile

The KM 184 is a state-of-the-art small diaphragm condenser microphone with a uniform, frequency-independent cardioid polar pattern. Its very natural, transparent sound with very low self-noise and high SPL capability have made the KM 184 a worldwide stage and studio standard for many applications ranging from classical piano to heavy metal drums.

Faithful

While many microphones, these days, are designed to add some sonic imprint of their own, there are many applications that require a faithful reproduction of the original acoustic event, without adding or removing anything. That’s where the Neumann Series 180 comes in.

The Neumann Series 180 consists of three members with different pickup patterns: KM 183 (omni), KM 184 (cardioid), and KM 185 (hypercardioid), thus covering the majority of stage and studio applications. Because the Series 180 microphones are non-modular, they are more cost-effective than the modular Series KM A and KM D (which offer a wide range of interchangeable capsule heads for analog and digital output stages).

Cardioid

Despite its attractive pricing, the KM 184 offers state-of-the-art Neumann engineering. Its cardioid pattern is frequency-independent; rejection of rearward sound (180°) is excellent, even at low frequencies. In practical usage, there is no sound coloration over a wide pickup angle, which is crucial in multi-microphone setups and for precise stereo/surround imaging. The KM 184’s frequency response is very smooth and linear with a slight treble lift around 9 kHz for added brilliance. Its innovative transformerless head amplifier offers a wide dynamic range of 125 dB and is carefully designed to maintain the capsule’s sonic integrity. The KM 184 has a very low self-noise of only 13 dB-A and can handle high sound pressure levels of up to 138 dB free from distortion. Due to its low impedance output stage, the KM 184 can drive long cable runs of up to 300 meters (1000 feet) without transmission losses.

Applications

The KM 184 is a universal microphone for studio and stage applications. Its transparent sound makes the KM 184 a superb microphone for acoustic instruments, such as piano, percussion, drums, acoustic guitar, upright bass, violin, cello, woodwinds, and brass. The KM 184 can be used for soloists as well as ensembles. Thanks to its superior off-axis behavior, the KM 184 is an excellent microphone for stereo and surround recording with perfect imaging. Although the KM 184 is not specially optimized for the human voice, it is often used for classical vocals and whenever sonic authenticity is paramount. Due to its small size, the KM 184 is visually unobtrusive and well suited to TV and radio applications.

Uniform cardioid pattern without off-axis coloration
Linear frequency response with a slight treble lift
Very low self-noise (13 dB-A)
Low impedance output for long cable runs without transmission losses
Transformerless circuitry
Compact size, visually unobtrusive

https://en-de.neumann.com/km-184

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Neumann

It is difficult to imagine a professional audio studio without a Neumann microphone. For decades, Neumann has been regarded worldwide as the standard-setting, leading manufacturer of studio microphones. Many products introduced in the history of the company have become milestones of professional audio technology. It is no accident that when listing their equipment, audio studios almost always put Neumann microphones at the top of the list – they are a recognized sign of a highly professional operation.