Gir deg alle fyldige, klassiske toner som varme rør ved hard belastning kan gi deg, på volumer tilpasset enhver situasjon. Ren rør pre-amp med ”singleended” klasse A sluttrinn med 1 stk EL84 rør sammen med 3 stk 12AX7 forforsterkerrør. Har samme kontrollegenskaper som L20H men er her som en 5 watts combo. 1 x 12” Celestion G12H høyttaler som gir en varm sukkersøt lyd. TILT-mekanisme for optimal kabinettretning. L5T-112 er “open-back”.
Lionheart represents everything Laney has learned through over forty years of Laney tube heritage, distilled into a single amplifier range. Lionheart amplifiers are designed to provide the ultimate in British made, boutique tone. The evocative sound of power tubes being pushed to their sweet spot at volume levels that are controllable is a major feature. Featuring the purest of designs. The combination of EL84 loaded single ended Class A power stages and premium Celestion and Jensen speakers put this family of amplifiers a class apart from the rest.
The L5T-112 is a classy, 5 watts RMS, Single-Ended, Class A guitar combo loaded with a 1 × 12 Celestion Heritage G12H driver, all designed to give you, the palyer, the ultimate in guitar tone.
The L5T-112 features a smart, chrome finished control panel which houses the simple pre-amp – a single channel design with a foot-switchable drive section, passive three band EQ, global tone and reverb.
With less of a emphasis on preamp distortion, with the L5T-112 you can hear and feel the power tubes clipping to breakup, giving a much richer harmonic content and a larger dynamic range. With the L5T-112 you can really feel and hear the differences in tone based on your picking technique. Pick harder and the amplifier breaks up more. Pick lighter and the tone cleans up. The Single-ended Class-A circuitry, as used in the Lionheart series, means the EL84 output valve is connected to one side of the L5T-112 output transformer's primary winding. The other side of the transformer primary is wired to the power supply. While giving less output power than the alternative push-pull circuitry, single-ended Class-A produces more even order harmonics when over-driven. A great advantage to guitar players as even order harmonics provide the rich tone associated with classic Class-A valve guitar amps
This amplifier is extremely responsive to the volume control on your guitar. It is easy to roll the volume back to completely clean up the sound. The L5T-112 really brings the best out of your guitar.
Strats sound sparkly and bell like, Tele's bite and twang, and Les Paul's sing and sustain.
The L5T-112's overall tone control can be used to great effect. For example, you could add more sparkle to a humbucker tone, or take off some of the high end from a biting single coil tone.
The L5T-112 offers serious tone that is often difficult to find in amplifiers costing twice the price Features such as gold plated PCB's and jack sockets, sealed gold contact relays are used in all signal paths for minimum sound coloration, and each amplifier comes fitted with the renowned "Type 4" large spring line reverb for the classic guitar reverb sound. Each Lionheart features a hand stamped 'build number' in the order they come off the Laney production line, and comes with a custom made 'Lionheart' dust cover.
The L5T-112 also features a unique tilt mechanism enabling you to angle the speakers onstage.
The Lionheart L5T-112, a modern classic in both looks and tone, designed and manufactured with pride, in Great Britain.
| Baffle | Marine Grade Plywood |
|---|---|
| Bright Switch | Yes |
| Cabinet Design | Marine Grade Plywood cabinet with retro banding strip, leather strap handle and folding tilt back mechanism |
| Channel Controls | Gain (Clean), Gain & Volume (Drive) |
| Channels | Clean & Drive |
| Class | Class A |
| Cover | Supplied with custom embroidered slip cover |
| Packed Dimensions (HxWxD mm) | 550 x 628 x 319 |
| Drivers | 1x 12" Celestion Heritage G12H |
| Equalisation | Passive Bass, Middle and Treble |
| Footswitch | FS2 (Included) |
| FX Loop(s) | Yes |
|---|---|
| Impedance | 4 and 8 ohm |
| Inputs | 2x Jack, Hi & Lo |
| Master Section | Global EQ, Reverb and Tone controls |
| Output Valves | 1x EL84 |
| Power | 5 Watts |
| Preamp Valves | 3x 12ax7 |
| Reverb | Yes |
| Speaker connections | 2x Jacks |
| Weight | 22.5 Kg Packed, 19 Kg Unit |
| Unit Dims - for int. case (HxWxD mm) | 423 x 562 x 253 |
To say why I got into the amplifier business I have to go back a long way ...over 40 years! At that time in the 1960's I was playing bass in a series of bands based around the West Midlands area in the UK. This was a very fertile time in music and I had a great time playing at all types of venues. During this period I was still at school (Rock and Roll and schooling are not a good mix!) and several times was found to be asleep in class having returned after some gig, somewhere, usually at 5 or 6am in the morning.
When I was awake though, I had a deep interest in electronics and a fascination for tubes in particular which was stimulated by the amplification requirements to gig at night. It became a logical step to make my own amplifier; partly out of interest but mainly out of economic necessity: Bands did not make a lot of money in those days! However I did find this to be great fun (I still do today). At that time I was playing in a local band, "The Band of Joy" with John Bonham on drums (you never did get over John) and Robert Plant on vocals... Robert always held his own up front despite the racket behind him: Great times. The Band of Joy was a fairly loose band at that time and Robert and John went onto bigger and greater things.
My interest turned more and more to amplifier construction and working at that time in my father's garage, I started to get demand from fellow musicians for amplifiers and started to supplement my meagre wages from playing in bands with amplifier sales... this was a good idea!! Then came the big decision; I had finished my school education and had a place at University reading Electronic Engineering. Two days before I was due to go I decided to carry on for a couple of years making amplifiers, see how it went, and then go back to University later. I suppose now they would call this a "year out"- in those days it was just stupid! Anyhow, 40 years have gone by and I still haven’t made it to University.
Tone: If there is one constant element from the last four decades that is important, it is ‘Tone’: Making amplifiers is a quest to deliver tone to the musician, something that we have started to call ‘The Dark Art’. It is fluid and changes with developments and innovations of technique, instruments and musical style, but look at any musician who hits the sweet spot on tone- usually it is with a narrowing of the eye, a tilt of the head and more than likely a grimace- but they have got their TONE. That’s what we are after. Throughout the following pages you will see the wide range of products now on offer from Laney for all kinds of players at all kinds of levels, but every one of them has been designed and engineered by a Laney team with 40 years experience in the ‘business of tone’.
(Lyndon Laney)
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