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Neo Vintage Echo Verb SlapBack DoubleTracker
Head into the Memphis Sun and bask in the tones of the 1950s! Studio sounds of the 1950s and more. Small Room Reverb, Slapback Echo, Futuristic Double Tracking.
Ah, the sounds of Rock and Roll….
Clickety Clack,
noun:
A rhythmic, swiftly paced succession of alternating clicks and clacks, as the sound produced by the wheels of a train moving over tracks. I hear that train a comin’
The new Memphis Sun – Lo-Fi Reverb, Echo and Double-Tracker is our second studio themed pedal. Like the Keeley 30ms ADT this pedal gives you a wealth of tones for capturing that classic Rock-and-Roll sound as well as sounds you’ve not heard before. It’s NeoVintage. It’s an Echo and Reverb pedal.
Toggle through the different effects presets:
Both of the ECHO 600 and SUN MODE effects have a Room Reverb.
It’s a one-knob, rock and roll type of room reverb.
Rock and Roll is the Devil’s music, right? So of course we made the delay time up to 666ms to simulate some unearthly echo machine that never really existed. Filtering in the Slackback mode is done in stages. First, we heavily filter the response at 1 kHz then compress the thing. Remember the concept: pack a bunch of sound in a small room and it compresses. Next, we filter it again at 1 kHz ! Sounds like Rock and Roll, right? Aaron Tackett is our Rock and Roll Doctor of DSP here at Keeley. Not only is he devilishly good looking, he has a way of making waves look good — adding curves so to speak. He has added 2nd and 3rd order harmonics to this mix to simulate tape response and equipment distortions. Waves folded back on themselves. You’re gonna love his curves.
Let’s Do it Twice Mama, It’s Alright! Automatic Double Tracking (ADT) was not available in the 1950s, but we sneak it in here because it makes a wonderful sound. And, if you lengthen the time, it goes right into slapback territory which is at the heart of Country and Rock and Roll guitar sounds. Like our Keeley 30ms, this pedal will do ADT. The Memphis Sun creates a vintage-voiced double-track in mono. Your guitar-playin’ “Gemini-Twin” has a very warmed-up tone. Adjusting the Time Control lets you easily create anything from Double Tracking to Slapback with up to 180ms of delay time.
The Room Reverb simulates a small 33′ by 18′ asbestos-tiled room so filled with music the sounds actually get compressed. We take into account the frequency response of the mics used back then. The RCA 77 is loosely simulated by a group of filters including a HPF = 300 Hz and LPF = 8 kHz. Many artifacts are incorporated in our room reverb. And second and third order harmonics are added to make sure it sounds just right.
NeoVintage – Low Fidelity. That’s right. That’s what I say. This doesn’t sounds like some merry band of pixie nymphs playing digital fiddles in your ear. It sounds freaking great!! If this pedal had a smell it would be too intoxicating to play.
The Keeley Memphis Sun – Lo-Fi Reverb, Echo and Double-Tracker
Pete Anderson!
Keeley Electronics started with one man – RK himself – at a kitchen table, and grew through garages, storage units and makeshift workspaces to our modern, cutting-edge facility.
We’ve been making and modding effects for nearly a quarter-century, feverishly chasing down tones, pushing boards, amps and earballs to their limits, streamlining our operation and constantly refining our pedals.
But unlike most of the other big shops, we balance boutique with boundlessness. From enclosures to circuit boards, everything is still made right here in Oklahoma, lovingly assembled by musicians and artists, and shipped worldwide. And we’re determined to keep it that way – while also keeping every pedal we sell running.
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