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Wall of Fuzz pedal, Drenched in Wash of Reverb
Heavy Gain, Soft Focus, Reverse, Cascading Octave Feedback, Tremolo Bar Strummed Reverb. A stoned, morning floaty, messed up, thrill machine is what it is. Washes of reverb in new ways you’ve not heard in a stomp box before and a fuzz that’s like a cigarette burn on your forearm. It rages.
Can’t live without these three and the new reverbs are born of a Shoegaze dream.
Super long ambient wash with the ability to add octave regeneration in the feedback loop. More than shimmer it’s more like ascension shimmer.
Set different delay times with the Decay control which gives you rhythmic reverse. This is based on the Yamaha SPX90 and the Alesis Midiverb II. This is not a true reversed reverb as it reads through a delay line at various points in the delay while increasing in volume. The Decay control is more of a switch in that it is chooshing between 8 different set “decay” times: 150ms, 200ms, 250ms, 300ms, 350ms, 400ms, 450ms, and 500ms allowing you to set all kinds of delay times in which the notes come back at you.
This is where it gets really cool. The vibrato in this mode is envelope controlled. The range runs from 0 to 50ms of time shift.Tone control is loosely based on the Jazzmaster rhythm tone control with a low pass filter centered at 156.6Hz Strum hard at it pitch bends like you are playing the trem bar on a Jazzmaster or Jaguar! Combine the two for an unreal dual-guitar player effect!
Because all of the reverbs can go All-Wet by means of the Blend Control, this is a great approximation of the Yamaha FX500 patch. Soft Focus Reverb features a dense reverb with two delays in parallel (one set for 250ms, the other set for 380ms.)
Grabs you by the fuzz. When you’re a gazer, you can do those kinda things.
Keeley Electronics started with one man – RK himself – at a kitchen table, and grew through garages, storage units and makeshift workspaces to our modern, cutting-edge facility.
We’ve been making and modding effects for nearly a quarter-century, feverishly chasing down tones, pushing boards, amps and earballs to their limits, streamlining our operation and constantly refining our pedals.
But unlike most of the other big shops, we balance boutique with boundlessness. From enclosures to circuit boards, everything is still made right here in Oklahoma, lovingly assembled by musicians and artists, and shipped worldwide. And we’re determined to keep it that way – while also keeping every pedal we sell running.
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