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Miniature version of our Katana Clean FET Boost
MINI KATANA CLEAN BOOST! Keeley’s oldest design made smaller and with tasteful updates including an additional feature. The Katana started back in 2002 within the Time Machine Boost. It was a dual class A JFET design that gave players and incredible boost and sounded so good they never turned off. In fact they often ran two or three on stages like John Mayer! The Mini Katana boost provides over 35dB of boost. Enough for the most demanding players and sound reinforcement.
The new Mini Katana is now a 4 Mode Booster! With the dual micro switches you have a total of four sounds possible. Need drive, just flip the micro Hi-Gain Switch inside and you’ve got overdriven tone! Flip the Hi-Cut Switch (NEW for the Katana Mini!) on the inside and you have a warmer tone to soften any Strat or Tele. Flip both switches and you have the ultimate sounding boost, thick, creamy, tube-amp sounding, and plenty of volume on tap!
Obsessed with cleanest, most enjoyable tone boosted? Well, Before other people started using Blue LED’s and non-diode clipping stages, there was the TMB and Katana…. Cascading FET stages do the tube-amp-thing like nothing else!
Now made smaller, it will fit any board – any budget. Enjoy a tasteful update to the pedal that redefined clean boost in the boutique era!
Keeley Electronics started with one man – RK himself – at a kitchen table, and grew through garages, storage units and makeshift workspaces to our modern, cutting-edge facility.
We’ve been making and modding effects for nearly a quarter-century, feverishly chasing down tones, pushing boards, amps and earballs to their limits, streamlining our operation and constantly refining our pedals.
But unlike most of the other big shops, we balance boutique with boundlessness. From enclosures to circuit boards, everything is still made right here in Oklahoma, lovingly assembled by musicians and artists, and shipped worldwide. And we’re determined to keep it that way – while also keeping every pedal we sell running.
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