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JBL PRX ONE Søylehøyttaler 12" Sub 7-kanals mikser 2000W

Art.nr: 800-02026
30.000,-
Antall:
JBL
Normalt 3-5 dagers leveringstid, så lenge varen er på lager hos leverandør.

JBL PRX ONE - søylehøyttaler med 12" sub og 7-kanals mikser.

The JBL PRX ONE all-in-one powered column PA features an acoustically optimized column array featuring a 7-channel digital mixer, a full suite of professional DSP, class-leading audio connectivity, Bluetooth functionality and JBL Pro Connect universal app control.

Enjoy unmatched power and performance in a sleek, compact package: PRX ONE delivers a stunning 130db max SPL, with consistent front-to-back throw, thanks to its custom-engineered 12-tweeter column array featuring JBL AIM acoustic technology, 12-inch bass-reflex woofer and built-in 2,000-watt (peak) amplifier. PRX ONE is ideal for DJs, musicians, entertainment venues, corporate presenters, rental companies and houses of worship. It’s the perfect solution for anyone who demands best-in-class power, acoustic performance, creative control and connectivity in a stylish, full-featured column PA that’s ideal for both installed and portable applications.

Features

  • Vertical array of 12 2.5-inch drivers delivers consistent, even HF response from the front of the room to the back
  • Custom-designed high-frequency drivers feature copper-capped pole pieces to minimize distortion and smooth, natural high-frequency response
  • JBL A.I.M. (Array Inumbration Mechanics) geometrically optimized array-shading technology ensures consistent front-to-back coverage
  • Wide, 130° (H) x 30° (V) dispersion pattern delivers consistent coverage across the audience area
  • Sophisticated crossover management and HF/LF coupling allow for more natural low-end response and smooth, uniform response across the entire frequency range
  • 12-inch bass-reflex woofer extends low-end response to 35 Hz
  • 2,000-watt (peak), fully bridged Class D amplifier with power factor correction and high-linearity inductors provides clean, efficient system power, superior headroom, low THD and protection from voltage spikes
  • Four high-efficiency, low-noise microphone preamps maintain constant bandwidth at any gain level
  • 130 dB max SPL
  • Integrated 7-channel digital mixer with dual-operating mode gives users full control of their input faders or individual channel controls like bass, mid, treble and effects sends.
  • Powerful Lexicon effects engine with delay, reverb chorus, echo and sub synth, with presets for easy setup
  • Triple Tier DSP control offers multi-level user experiences based on knowledge level
  • dbx DriveRack Inside technology features AFS (Automatic Feedback Suppression), 8-band master EQ, system limiter, plus gates and compressors on each channel for unrivaled dynamic control
  • One-touch ducking by Soundcraft ensures speech is always heard
  • Simple, intuitive full-color LCD screen provides easy access to all PRX ONE functions
  • 8 user presets instantly optimize system sound
  • Robust audio connectivity: I/Os include 4 XLR Combo, 2 Hi-Z, 1 1/8-inch/BT audio and 1 XLR Pass Thru
  • 2 USB 2.0 ports charge devices and power AKG wireless systems (with optional JBL adapter cable)
  • Two channels of true +48V phantom power expand microphone support
  • Bluetooth 5.0 connectivity allows remote system control of up to 10 units using the JBL Pro Connect app
  • Full app control using JBL Pro Connect
  • Rugged enclosures withstand the rigors of the road
  • Optional bracket and adapter allow array to be wall or truss-mounted independently of subwoofer for permanent installations
  • Computer-modeled ComfortGrip handle simplifies transport
  • Included nylon carrying bag for array
  • Attractive, discreet form factor
  • Weight: 55.65 lbs (25.7 kg)

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THE RISE OF THE MOTION PICTURE SOUND BUSINESS


In the late twenties, the success of "The Jazz Singer" established sound as the new standard for the motion picture theater.
Western Electric, the manufacturing arm of AT&T, was destined to rule that business for many years. The vast resources of
Bell Laboratories had been brought to bear on problems of recording, reproducing, and allied arts, and as a result they were
able to mount the required technology for manufacturing in fairly short order. Electrical Research Products Incorporated (ERPI)
was set up as a distribution company by Western Electric as a means of servicing the motion picture industry.

Bill Martin came out to join his brother in 1930, and another brother, George, came at a later date. In 1930 there were no more
than 40 employees at the Lansing Manufacturing Company. Some of the early products included armature loudspeakers, which
are known today only as museum curiosities. Other loudspeaker products made use of traditional field coils as well as early
permanent magnets.

This was truly a cottage industry. The family would make cones and wind coils at home in the evening, and the parts would be taken
in to be assembled the next day. The company experienced hard times during these years of the depression. Most of Lansing's
customers were radio set manufacturers, many of them located in the Midwest. The company's products were largely eight- and
six-inch loudspeakers. What few larger models were made were used only in luxury console radios. The company established its
permanent headquarters at 6900 McKinley Avenue in
South Los Angeles.

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