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Hjem » Instrumenter » Gitar » Forsterkere » Akustisk » Hughes & Kettner ERA2-Wood Akustisk Forsterker 400W

Hughes & Kettner ERA2-Wood Akustisk Forsterker 400W

Art.nr: 528346
11.949,-
Antall:
Hughes & Kettner
Ikkje på lager, ca. 4-7 dagers leveringstid, så lenge varen er på lager hos leverandør.

Welcome to a new era of acoustic amplification. Developed with renowned designer Michael Eisenmann, era 1 gives you richly detailed definition for peerless authenticity and tonal brilliance, plus a bunch of remarkably innovative and intuitive features to make every performance better. On top of all this, era 1 is built in Germany to the highest quality standards.

High-definition audio

  • Painstakingly selected, top-drawer components
  • Excellent preamps
  • Premium-quality AD/DA converters
  • Custom-made power amp with massive headroom

Richly detailed definition, wonderfully dynamic response, plenty of headroom—it all adds up to a natural-sounding audio experience unrivaled in authenticity.

Intuitive handling with zero compromises

  • Two fully featured, identical channels
  • Independent FX engine for each channel with 16 programs
  • Very effective Preshape and Mode buttons to voice channels to suit different instruments and vocal registers
  • As compact and light as conventional 60-watt combos

Superior quality

  • Developed by renowned acoustic amp designer Michael Eisenmann in a joint effort with the Hughes & Kettner team
  • Choice materials, handpicked for durability and ruggedness
  • Made in Germany to the most discriminating standards for quality

GENERAL
Power Amp 400 watts
Dimensions (W x H x D) 350 x 475 x 290 mm
Weight 14,10 kg
Tilt Stand (incl) 25° / 35°
Pole Mount 35 mm
Protection Cover (incl) Padded

CHANNELS (INPUTS)
Channel 1 & 2 High Resolution Mic and Instrument Input (XLR/6,3mm (1/4″) Klinke Combobuchse – Phantom Power switchable))
Channel 3 Aux In: 3,5 mm (Mini Jack Stereo-Input; adjustable
Channel 4 / FX Return 6,3 mm (1/4″) Stereo-Input; adjustable

OUTPUTS
DI-Out XLR; EQ Pre/Post switchable; Ground lift switchable
Line Out 6,3 mm Stereo Output; adjustable
Cannel Out FX Send; 6,3 mm Stereo Output
Optical rec out S/PDIF TOSLINK
Phones Out 6,3 mm Stereo Headphones Out
Tuner 6,3 mm Mono Tuner Out

CHANNEL 1 & 2
Switches -10 db; Shape; Mute
Gain Input sensivity
EQ 3-Band-EQ, 2 Modes switchable
Internal FX 16 FX-Programms (Reverb, Chorus, Flanger, Delay, Combinations), FX parameters adjustable

MASTER
Volume Master Volume
Notch Filter 40 – 180 Hz

FX LOOP
FX Send Stereo Jack
FX Return Stereo Jack

SPEAKER
Mid/Low 2 x 8″ - Custom made
High 1 x 1″ - Dome tweeter

INTERNAL FX

1 Reverb Room Dark Short Reverb, heavy HF damping shorter or longer
2 Reverb Room Bright Short reverb, light HF damping shorter or longer
3 Reverb Hall Warm Medium reverb, warm HF damping shorter or longer
4 Reverb Hall Bright Medium reverb, slight HF damping shorter or longer
5 Reverb Church Long reverb, slight HF damping shorter or longer
6 Delay Short Single echo, slapback at 80 ms DT: 20-170ms
7 Delay Mid Multiple repeats, 170 ms DT: 20-170ms
8 Delay Long Multiple repeats, 800 ms DT: 170-800ms
9 Delay Pan Delay DT: 140 ms + (140-660) ms -
10 Delay + Reverb DT: 170 ms, medium reverb DT: 20-170ms
11 Chorus Rate: 0,3 Hz Rate: 0,1-10 Hz
12 Chorus + Reverb Chorus no.11, medium verb (level 80%) Reverb level
13 Chorus + Delay Chorus no.11, DT: 170 ms DT: 20-170ms
14 Flanger Rate: 0,4 Hz Rate: 0,1-10 Hz
15 Flanger + Reverb Flanger no.14; medium verb (level 80%) Reverb level
16 Flanger + Delay Flanger no.14; 170 ms DT: 20-170ms

“DT” stands for delay time, or the time between echoes / repeats.

“HF damping”” attenuates the high-frequency (HF) components in the reverb signal to take the harsh edge off and achieve a warmer, fatter tone”

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Hughes & Kettner

Hughes & Kettner

Company founders (and brothers) Hans and Lothar Stamer began producing their own guitar amps in 1984. While the production space may have been small, their aspirations were not. Soon, the reputation of their products for craftsmanship and performance spread, prompting them to expand operations time and time again.

When Mr. Hughes, the synonym for the discerning guitar player, and Herr Kettner, the ahead-thinking German engineer, first met, Mr. Hughes was on a tone quest, looking to enrich players’ sonic palette with more soulful means of expression.

A glockenspiel’s chime, the snap and snarl of a junkyard dog, the seductive wail of Siren’s song, the thunderous rush of a passing freight train, the howling of a keening jackal, the malevolent grind of a chainsaw biting into metal – could an amp really be made to do all this? Engineering whiz Herr Kettner had his eyes on a very different prize. Envisaging a compact amp that would deliver fully-formed sounds including effects at the touch of a button, he sought to do what has never been done before. And he wasn’t averse to doing better what has already been done.

So began an impassioned collaboration that continues to this day.

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