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ENGL Powerball II Head E645/2 100 Watts

Art.nr: 11000026

19.870,-

Antall:

ENGL

Ikkje på lager, ca. 4-7 dagers leveringstid, så lenge varen er på lager hos leverandør.

ENGL Powerball II Head E645/2

100 Watts, Noise Gate, PTM, SAC

A pure, uncompromising metal amp. With the low end, we’re entering territories no amp has reached before. This is the way of modern metal! But the Powerball II also produces crystal clear Clean tones, crispy Crunch, dense solo sounds and everything in-between with ease. Its four Channels are optimally matched to each other so that all the degrees of distortion fit together seamlessly. We even generously dimensioned the output transformers in this four channel sound machine, so players can experience uninterrupted low end enjoyment. What’s more, every gain setting is differentiated and delivered with razor-sharp attack – total joy for any guitar with drop tunings!

Features

4 Channels: Clean, Crunch, Lead 1, Lead 2
All Tube Head
Tube buffered FX Loop with adjustable Balance control
Noise Gate
Master A/B
Power Tube Monitor
S.A.C.: Serial Amp Control

Sound Options

Middle Boosted
Bright (Clean, Crunch)
Bottom (Clean, Crunch)
Bottom (Lead 1)
Bottom (Lead 2)

Controls

Gain (for each Channel)
3-Band EQ for Clean and Crunch (shared) with separate Treble controls
3-Band EQ (shared Lead 1 / Lead 2)
Middle Voiced Control (Lead 1 / Lead 2)
Volume (for each Channel)
Presence
Depth Punch
Master A
Master B
Noise Gate Threshold Level
FX Loop Balance

Outputs

Poweramp Output (1 x 4 Ω, 1 x 8 Ω, 1 x 16 Ω, 2 x 8 Ω ||, 2 x 16 Ω ||)

Footswitch

Z4 (Channels, Master A/B, Middle Boosted, FX Loop, Noise Gate)
Z9 (Channels, Master A/B, Middle Boosted, FX Loop, Noise Gate)

Preamp Tubes

4 x Engl ECC83 / 12AX7

Output Tubes

4 x Engl 6L6GC

Output Wattage

100 W

Dimensions

71 x 27 x 27 cm

Weight

21 kg

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ENGL

The Musikmesse 1984 in Frankfurt was a great year for ENGL and laid the foundation for a success story that is second to none. The first programmable guitar amp was simply a sensation, something that had never existed before. Back then, when two channels and a master volume on an amp already counted as comfort features, ENGL's futuristic concept was equivalent to a landslide.

Edmund Engl had the brilliant idea in the early 1980s. He wasn't an electronics freak, but a musician. He saw things with the pragmatic necessity of musical practice and thought that such a programmable amplifier would be ideal to have a wide variety of sounds available via footswitch.

From this moment on, Horst Langer comes into play, the technically savvy friend and ENGL's technical mastermind from then until today. With his know-how, he was able to realize every idea, any ENGL amp is a child of his mind.