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50 Watts, Noise Gate, PTM, SAC
This amp has a very special history, it is our amp from the hidden, from the underground of the studios of Los Angeles. Based on the Ritchie Blackmore Amps E650, we designed an amp for Doug Aldrich in 2005. It should contain a few modifications, such as EL34 tubes in the poweramp stage; a lot of dynamics and sound was the mission. The concept was clear: easy handling, practical features and sufficient performance. However, this amp never saw the light of the world, but ended up in our showroom in Los Angeles.
From there he made the rounds through various studios of the music metropolis. Renowned greats like Jimmy Page, Ken Hammer, Vivian Campbell, Paul Stanley and Scott Gorham played him. Mr G. M. put him in the studio in the last few years before his death. Due to the great response of world-class players, we have decided to raise this model from the prototype stage to the status of an official ENGL amp.
Features
Sound Options
Controls
Outputs
Footswitch
Preamp Tubes
Output Tubes
Output Wattage
Dimensions
Weight
The Musikmesse 1984 in Frankfurt was a great year for ENGL and laid the foundation for a success story that is second to none. The first programmable guitar amp was simply a sensation, something that had never existed before. Back then, when two channels and a master volume on an amp already counted as comfort features, ENGL's futuristic concept was equivalent to a landslide.
Edmund Engl had the brilliant idea in the early 1980s. He wasn't an electronics freak, but a musician. He saw things with the pragmatic necessity of musical practice and thought that such a programmable amplifier would be ideal to have a wide variety of sounds available via footswitch.
From this moment on, Horst Langer comes into play, the technically savvy friend and ENGL's technical mastermind from then until today. With his know-how, he was able to realize every idea, any ENGL amp is a child of his mind.
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