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Death By Audio Rooms Stereo multi digital Reverb Pedal

Art.nr: DBA-ROO
6.890,-
Antall:
Ikkje på lager, ca. 4-7 dagers leveringstid, så lenge varen er på lager hos leverandør.

SPACE REFLECTIONS

ROOMS is a stereo, multi-function digital reverb capable of searing volume, gated walls of sound, and long, trailing reverberant ambiances with an intuitive array of controls designed with live mood-bending in mind.

ROOMS was designed to the highest standards of flexibility and audio fidelity. A studio-quality mixer section provides independent DRY and FX controls over six meticulously programmed reverb algorithms; ROOM, DIGIT, PEAK, GATE, WAVE, and GONG. Each different verb is capable of a universe of sounds, and ROOMS is here to help you explore them.

ROOMS' creative I/O switching and dual-mono dry signal lines allow for a wealth of possible mono and stereo configurations, making it easy to route signals for parallel processing or stereo amplifier setups.

CONTROLS 

FREQ: Controls the frequency parameter of the current mode.

DEPTH: Controls the depth parameter of the current mode.

TIME: Controls the reverb time in all modes.

DRY: Controls the volume of the dry signal, from -inf to 20x gain.

FX: Controls the volume of the reverb signal, from -inf to 20x gain.

ALT: Engages the ALT mode, switching between two sets of controls. When active, FREQ is controlled with the F knob, DEPTH with the D knob, and TIME with the T knob. Additionally, the ALT mode turns on expression control of either FREQ or TIME using the F<->T Switch on the side of the pedal. NOTE: Expression control ONLY works in ALT mode and when an expression pedal is plugged in.

SPECIFICATIONS

Dimensions: 5.95" x 3.86" x 2.96" (including hardware).

Weight: 18 oz.

Power: 80 mA, 9V (runs on a standard 2.1 mm negative center 9V adapter). 

Expression Pedal: Almost any expression pedal will work with ROOMS. When not plugged in, the controls work as normal. NOTE: Expression control ONLY controls the F or T knobs when ALT mode is engaged and when an expression pedal is plugged in.

MODES AND PARAMETERS:

FREQ knob : DEPTH knob
 

1 - ROOM: Tone of Decay : Pre-Delay

A classic reverb that simulates many different rooms.

2 - DIGIT: Delay Time : Delay Feedback

A filter matrix verb capable of creating otherworldly resonances and fractured repeats.

3 - PEAK: Filter Frequency : Filter Resonance

A super intense bandpass filter combined with an ambient reverb.

4 - GATE: Decay Tone Gate Response Time

A gated reverb. Short reverb times create a classic gate effect, long reverb times create a controllable freeze effect.

5 - WAVE: Modulation Frequency : Modulation Depth

Creates a pitch vibrato effect. Lowering TIME will blend out the reverb signal, allowing sweeps from chorus/vibrato to long modulated reverbs.

6 - GONG: Modulator Frequency : Blends from Aliasing (left) to Ring Modulation (right)

Ethereal, crushed reverb sounds guaranteed to make you star in the upcoming remake of DUNE and live out your sci-fi fantasies of space travel and galactic domination.


https://deathbyaudio.com/

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Death by Audio

Death by Audio


Death By Audio handmakes effect pedals in an underground warehouse in Queens, NYC.
 
Founded in 2002 by A Place To Bury Strangers singer-guitarist Oliver Ackermann, Death By Audio’s inaugural years were spent warehouse-jumping from Virginia to Brooklyn, eventually spending nine years in the infamous Williamsburg Death By Audio effects pedal factory, venue, recording studio, and live-work space. After the venue closed its doors in 2014, Death By Audio moved the effects pedal workshop to Queens, where Oliver and crew continue to make pedals by hand.
 
Every effect pedal we build features sturdy construction to survive even your loudest and most energetic live performances and we precisely engineer each pedal with the best components available to expand your musical horizons with new and original sounds. Bizarre technologies like medical-grade IC chips, obsolete transistors, and military surplus electronics are pushed beyond their limits to create dozens upon dozens of loud, abrasive, and mind-bending effect pedals that inspire musicians from DIY noise freaks to touring pros at the practice spot, in the recording studio, and onstage.
 
Originally a web-based effects customization service, Oliver turned artists’ wildest pedal desires into chaotic realities using his decades of rock ‘n roll know-how and Rhode Island School of Design training to develop radical new circuit design and layout ideas to redefine how musicians interact with their equipment, sometimes using intuitive arrays of sliders, dip-, and toggle-switches instead of traditional controls to help players break out of the same old set-it-and-forget-it sounds and discover new sources of inspiration.
 
Our goal at Death By Audio is to inspire you. Go and play some music right now. Hear your sound transform through one of our effect pedals. Turn your instrument upside down and play it with your other hand. Tape a microphone to your head. Search for cool and interesting sounds to make something new in the world.
 
And because we like to destroy things, all Death By Audio effect pedals are guaranteed for life. If you can possibly break it, we will fix it. We guarantee it.

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