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Ashdown Double Shot Compact Two band Bass Overdrive Pedal

Art.nr: 588237

1.549,-

Antall:

Ashdown

Ikkje på lager, ca. 4-7 dagers leveringstid, så lenge varen er på lager hos leverandør.

Double Shot

A variation on our Triple Shot the double shot is a two-band variable drive pedal designed for bass players.

A range of compact 9v effects pedals for bass and guitar.
Introducing the all-new PRO FX 9 volt range of effects pedals designed for guitarists and bass players by guitarists and bass players. Designed and Engineered in the UK with Electronics Engineer Dave Green, Dave has been part of the team at Ashdown since around 2006 and has been behind many of our new products in terms of electronic design.

This range of pedals has been months in development and are some of our best sounding pedals we have ever designed. Taking from what we have learned from the market we wanted an affordable range of pedals distinctive in looks but most importantly character-full in tone and features.

Separating the ranges by way of Bass and Guitar we have the ABM (Ashdown Bass Magnifier) Pro-Fx range and the AGM (Ashdown Guitar Magnifier) Pro-Fx range. The Bass range has two sort after pedals a two band drive capable of face ripping tones to the classic Sub Harmonic Generator bringing our trusty SUB circuit to pedal form featured in our ABM it tracks beautifully with anything from subtle low end reinforcement to full on synthy goodness.

The Guitar range consists of three pedals a classic twist on a Boost pedal with a Treble Boost and a Full Boost enabling fine-tuning to your tone pre amp, The Retro Drive is a filthy but glorious distortion with a simple three pot control for rich overdriven British distortion the Retro Drive is a great pedal. The Vintage fuzz is just that a nice boxy square wave that echoes of times of old simple but effective.

SPECIFICATIONS
9 volt (C-Pin Neg) – Power Supply Required
Power - 30ma draw
Size (mm) H x W x D - 59 x 73 x 115
Weight (kg) - 0.6

https://ashdownmusic.com/

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Ashdown

Better Bass Since '97

The Ashdown story starts in 1997, but even in those early days, company founder Mark Gooday could've already easily been described as a bass amp veteran. Having already been one of the driving forces behind another leading UK manufacturer of bass amplification, Gooday had racked up awards and plaudits for his pioneering approach and now had his sights set on even loftier aspirations.

So, it's 1997, and armed with a wealth of experience and headful of new ideas, Gooday kickstarts Ashdown Engineering to life with a simple vision – to build and 'engineer' a better bass amp.

With a nous for innovation and a flair for design, many would've jumped straight in, but Gooday was smart enough to first court feedback from some of the world's most respected bass players, including John Entwistle (The Who), Mark King (Level 42) and JJ Burnel (The Stranglers).

Inspired by the comments from these trusted advisors, Gooday focused his efforts on designing a new kind of bass amp, where superior tone was matched by unrivalled power and tour-grade performance in a truly engineered, uniquely-styled package.